The third aspect is the use of intertextual allusions to Schumann's earlier works. The second aspect is the manipulation of formal conventions, which is accomplished through problematic closure, problematic recapitulation, and ambiguous formal function. The first aspect is large-cycle coherence, an effect that is achieved through innovative associational means - including motivic and tonal cross-references- and through more traditional hierarchical means, such as tonal departure and return and the use of programmatic titles that suggest a complete forest journey. This study examines the aspects of narrative and representation that permeate the Waldszenen cycle. My goal, in this dissertation, is to demonstrate that Jean Paul's narrative devices remained relevant in Schumann's late works.
However, it has sometimes been suggested that Schumann discarded the narrative strategies of Jean Paul in his late compositions, some of which were written for musical education and music-making in the home. Please note that the ticket sales are subject to suspension depending on the restriction of the seating capacity and the sales situation. Many of his early piano cycles are inspired by the literature of the Romantics, and in particular by the novels of Jean Paul Richter. NONO: sofferte onde serene (Sound engineering by ARIMA Sumihisa). His devotion to literature and his adaptation of the narrative strategies of the early Romantics in his compositions have prompted many investigations of literary influences on Schumann's music. Robert Schumann's music is replete with literary references and extramusical indications.
0 kommentar(er)
